Meredith Sue Willis's
Books for Readers # 184
May 10, 2016
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In Issue# 184
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Issue # 184 of Books for Readers begins with some celebratory news. First, my friend Pamela Erens got a stellar review for her new novel Eleven Hours in The New York Times Book Review.
Second, Burt Kimmelman has an article in Talisman on William Bronk that is partly about the longstanding strain of anti-intellectualism in the United State.
Third, my friend Suzanne McConnell's story “Neighbors” won first prize in the 2015 New Ohio Review Fiction contest. The story is now online to read as a text and as an audio podcast from New Ohio Review’s website. Set in gritty 1970’s downtown Manhattan, it's a story of friendship with a brilliant and beautiful woman who is also schizophrenic.
And, finally, for something a little less celebratory, here's a quotation from Ed Myers, author of 37 published books . He says, "I can't seem to stop [writing], and I enjoy the craftsmanship of the task, but I'm skeptical about where any of the books will go once they're done. Writing feels somewhat like woodworking or cooking a good meal: I create something pleasant or even good, and a very small number of people enjoy it. But that's the end of it. There seems to be no 'out there' any more."
Which brings me to the guest essayists for Issue #184. Donna Meredith and Darryl Bollinger discuss the effect of Amazon-dot-com on writing. Has the influence of this International Octopus of a commercial giant been positive or negative? And if it's here to stay, what do writers do about it?
Amazon: A Writer’s Best Friend or the Devil Incarnate?
It’s hard to believe now, but Amazon-dot-com started as a bookstore before expanding into selling almost anything that fits into a shipping box. Now they dominate the print book market with around two-thirds of all sales. And they have moved into printing and publishing with CreateSpace, a print-on-demand operation; Kindle, which claims two-thirds of ebook sales, and Audible and ACX, which produce audiobooks. And even though Amazon reviews are one of the biggest drivers of book sales, the company also bought Shelfari and Goodreads, online sites where readers can share their opinions on books. They control everything about content these days—which is a little scary.
As an active member of writing associations, I’ve encountered varied points of view concerning Amazon. For years I coordinated a literary contest, and we often gave judges—accomplished writers themselves—an Amazon gift card. The recipient could use it on a wide array of products, from the obvious choice for writers (books) to the practical (yoga DVDs and hemorrhoid cream to counteract all those hours sitting in front of a computer). The gift cards worked well. Until one judge told us to keep it. She, for one, boycotted Amazon. And she was not alone.
I was aware, of course, that writers had mixed opinions on the marketing behemoth. Stephen Colbert raised quite a ruckus when his latest book was listed as not immediately available because of a dispute between Amazon and his publisher. I thought the problem had nothing to do with me, that it would only affect New York Times Bestsellers. I thought Amazon had better things to do than try to corner more sales from bottom-feeders like me. I was wrong.
Several years ago without warning, my titles showed up as not available for immediate shipment. I realized all those hours spent luring potential readers through promotions and book talks were wasted if they couldn’t click that BUY NOW button and see the book drop into the shopping cart. Online shoppers expect immediate gratification. Not many would return a second time.
My primary book distributor, Ingram Content Group, is one of the largest in the world, but Amazon is nothing if not fiercely competitive. Its nefarious plan was to push writers into using its own printing services. It worked. I uploaded my books to Amazon’s CreateSpace, as well as continuing to use Ingram. Immediately my books showed up as available for purchase again. I’m sure this means when an online shopper buys my book, it is printed and shipped by Amazon, rather than Ingram. I still buy bulk copies from Ingram to sell myself.
While I don’t like Amazon’s aggressive business model, I also have to credit them for making books easily available to customers worldwide. People can and do buy my books all over the country—and once in a while overseas. Barnes and Noble lists my books, too, but I don’t sell nearly as many copies there. Online books ales have pushed many brick and mortar stores out of business. But for writers, the online store has key advantages. If a potential reader sees a review of your book, he can immediately go online and purchase it. To some extent, books are impulse buys. Miss the impulse, you miss the sale. Books are not products a person has to purchase, like groceries or medicines.
The majority of writers and small publishing companies I know use CreateSpace to print their books. As one friend told me, “I've never had any problems with Amazon. The process is easy to understand and execute. I especially like the preview process both on the computer and in print. It lets me see immediately where I've messed up.”
She’s right—the Kindle spell check is stronger than those included in very expensive editing software I’ve purchased. I have to admit Amazon has gone out of its way to make book production simple with almost any software you have on your home computer. They have MS Word templates and a Cover Generator available.
The upside for authors is they can bypass the traditional publishing route, which consumes time and eats up potential profit. The downside is that the market is flooded with titles, some of which are poorly written and edited.
Nonetheless, the bottom line for writers is this: it’s almost impossible not to work with Amazon if you want to sell books.
Amazon: Is it the Best or Worst Thing to Happen to Books and Writers?
As a writer, I am frequently asked this question, especially by other writers. Some tend to view Amazon as the proverbial 600-pound gorilla, constantly shoving lesser players around the playground. Others see Amazon as the great liberator, making publishing available to those who might not have had a chance to publish works via the traditional route. Each side is quick to brandish examples that support their opinion.
I think the answer is neither simple nor binary. Overall, I believe Amazon is good for readers and writers. They have streamlined the publishing process and reduced the entry cost, enabling writers like myself to get books to market easier and faster. Many would also argue that Amazon has been instrumental in putting a bigger piece of the sales price into authors’ pockets.
The number of books published has increased, leading to more competition. I also believe the quality has suffered. Too many times I’ve heard self-published authors proclaim that they don’t need an editor or a cover artist or other professional help. This has conspired to give indie publishers a tarnished reputation. For the free-market advocates, though, the Amazon model allows the market to be the ultimate arbiter, which I see as desirable.
At the same time, giving any one player too much power can be dangerous. According to reliable estimates, E-books represent one-third of all book sales. Amazon has two-thirds of the E-book market. They continue to place tremendous price pressure on traditional publishers, both large and small, not hesitating to use their clout.
They also put pressure on authors. On more than one occasion, I’ve heard complaints about Amazon’s increasingly restrictive attitude on reviews. Again, they have the market presence to dictate the rules.
Last, we are down to basically two nationwide bookstore chains: Barnes & Noble and Books-A-Million. According to Forbes, the number of indie-owned bookstores has declined by over fifty percent in the last twenty years and now represent less than ten percent of all book sales. More books and fewer potential retail outlets mean more pressure on writers.
In conclusion, no author can afford to ignore the Amazon behemoth, like them or not. The industry is changing rapidly, and I like having a gorilla on my side as long as I pay attention to where he steps.
(For a discussion about Amazon several years back, click here.)
Martha Moffett recommends her favorite book about Appalachia: East 40 Degrees: An Interpretive Atlas by Jack Williams. She says, "It's a beautiful book, with old and new maps and great photographs, but most remarkable, it's by a geographer at Auburn University in Alabama who has the most beautiful, unclouded writing style. I have the oversize paperback edition, and have given it as a gift to a couple of people who are notoriously hard to shop for."
Susan Lindsey (of Savvy-comm) wrote: "Since you've read Elizabeth Vignee-LeBrun's memoir, you might also want to read The Fountain at St. James Court, or Portrait of the Artist as an Old Woman by Sena Jeter Naslund. It's a novel within a novel that follows a writer living in contemporary Louisville who is writing about Elizabeth Vignee-LeBrun's life.".
Janet MacKenzie recommends the work of Lucia Berlin. "I have her collection of short stories, A Manual For Cleaning Women, whose title story is very funny. I had not heard of her but she was married to one poet and one jazz musician. She had four sons but died of scoliosis, after defeating cancer and alcoholism. I've also just finished Jane Smiley's Some Luck, which I hope to get my book group to read. Tom Keneally's Daughters of Mars, the novel about two sisters who became nurses in WWI to escape their Australian dairy farm, js a lovely work, filled with fascinating and well-drawn characters."
Joel Weinberger reviews The Rise and Fall of the Third Reich: A History of Nazi Germany by William L. Shirer ( (republished from Good Reads)
(Note: I listened to the unabridged Audible version of this book.)
A very dense and detailed history of the Third Reich that suffers from a few issues, many of which may be attributed to the proximity of the writing to the events that occurred. The author focuses in great depth and detail on several events which, while fascinating, perhaps have little bearing on the actual outcome or politics of the War or of the state.
Most famously, Shirer focuses a very detailed section on the Valkyrie Plot. It is a fascinating attempt at Hitler's life, but ultimately had almost no bearing on history, and I question whether it was the best use of space in this already massive tome. Additionally, there are many notable absences from the book, especially around the war crimes that were committed by the Nazis. While there is a chapter on the death camps and concentration camps, it is rather short given the length of the book, and it misses many important details, such as, for example, the great numbers of non-Jews killed in the camps. This may simply be because it was written so soon after Nazi Germany fell, and a full understanding of their horrors wasn't understood yet, but it certainly makes the reader question other details.
On another note, there are several extreme cases of homophobia expressed by the author that made be very uncomfortable with the book, nearly to the point of putting it down. This includes parts where he states out of hand that certain Nazis were gay and that this explains their horrible actions. Perhaps this is an artifact the era it was written in, but it is jarring none the less.
The Long Shadow of Small Ghosts is a journalist's journey tracking down the details of an appalling crime (the murder of three small children by their parents). The book is about the crime and the city of Brownsville, Texas, and many other matters. Tillman starts with the building where the children were killed, and which is her first assignment dealing with the crime, committed several years before she came to work for the The Brownsville Herald.
She opens up her exploration to the city itself, to the sad stories of the killers, to the general background of curanderismo (there was some talk that witchcraft and possession were involved in the deaths), and to poverty in this border town and across the border in Mexico. She interviews and writes about the lives of people who lived near where the murders occurred, and, gradually, we begin to share her written correspondence with death row inmate John Allen Rubio, the father and stepfather who did the killing, with help from his common law wife. His story occupies a lot of the book, and the climactic sections are her in-person visits with him on death row. The description of what it is like to visit someone on death row is wonderful, as is her ability to capture John Rubio's charm and his profound sadness.
Tillman, manages to do all this by taking us with her on the path that she follows in researching the story without foregrounding her own emotions (although she gives us just enough of her relationships, her family, her feelings about being a Northeasterner living in Texas, etc.). She is our Virgil leading us through the many levels of a hellish crime which came out of great suffering as well as causing great suffering. She takes care to examine her own prejudices and only very rarely gets lost in a little unnecessary philosophizing.
For me, the story and city were fascinating, but the real high point was the gentle probing she does into a man who did monstrous things: our imaginations are stretched by being face-to-face with the human being behind the almost unimaginable deeds.
This Pulitzer prize winning book published in 1973 was recommended to me by a psychiatrist friend who has read it several times. Becker, a multi-disciplinarian, public intellectual like Susan Sontag, has a deep and abiding faith in philosophy and reason-- and psychoanalysis. Becker is far from uncritical of Freud--he sees him as a genius and great thinker, but hardly right in all or maybe even most particulars. He is also critical of Adler and Jung, likes Otto Rank better. He writes at length in dialogue with Kierkegaard and Paul Tillich.
Becker's book is dense and passionate. It emphasizes disgust with the animality of our bodies, but finds transcendence and even nobility in the attempt of conscious human beings to be heroic in the face of the death we alone of the animals know is coming. Becker himself died shortly after the publication of The Denial of Death. He died, by the way, of colon cancer, which makes me wonder if some of his emphasis on the filth of our bodies grew out of personal experience.
I didn't get everything-- I want to go back and reread some parts I underlined-- so much of it moving and interesting. Becker's style of thinking and the thinkers he engages are still important, but not as central to the life of the mind as they once were. Also, the confident erudition displayed here stands on many assumptions that have been at least partially undermined: that Western culture is supreme; that homosexuality is a perversion, that women are beside the point. These limitations of the thinkers of the nineteenth and twentieth century do not mean we should dismiss them, but they do make us aware that they are one part of the really big picture.
This is a book I learned about while reviewing Hilton Obenzinger's book Why We Write (Issue # 183). Yalom was one of his interviewees, and her study of women's views of the French Revolution is build around old memoirs and letters. She has passages from Elizabeth Vigée-Lebrun's memoir, which I also reviewed last issue (Vigée-Lebrun right). Yalom's book includes a majority of aristocratic writers or admirers of the aristocracy, but also Madame Roland, a Republican who wrote a lot of her husband's material and died on the guillotine during the Terror.
Among the aristocrats, Madame Tour de la Pin has a particularly striking story. She was young and energetic and fled with her husband to various European countries and America during the revolution. They farmed and made a popular hard cider. So she was aristocratic but not afraid of work. There is also a conservative peasant woman who was a soldier of the Vendée. No one fits neatly in a box. My only caveat, and it is one that Yalom is very aware of herself, is that there is very little to represent the truly poor (and most likely illiterate) women who supported the Revolution.
So one has to make do with the endlessly entertaining Liberal and enemy of Napoleon, Madame de Staël (right). Unlike most of the writers here, she was a theorist even more than a recorder of her own experience, although she gets that into her writings too. She was one of the richest women in Europe and always worth reading for her sharp observations and her quasi-feminism-- or at least De Staëlism.
Yalom has great notes and a bibliography, of course, and is also good on the position of women in the eighteenth century, all classes. The work began as a scholarly piece, but is very readable, with excellent images and choice quotations from the various memoirs and letters and journals.
I just had my Victorian fix for the month. This is the first book of Trollope's six Palliser novels centering on a wealthy, aristocratic British family and on life in and out of Parliament. I've read this before, and like it, even though when it was published, the satirical magazine Punch referred to it as "Can You Stand Her?" and another commentator called it "Can You Possibly Finish It?" Both jokes have some truth. It's long, and the most prominent character, Alice, isn't particularly likable. The best thing here is the difficult marriage of Lady Glencora and Mr. Palliser. Glencora is one of those spirited young women beloved of 19th century male authors like Trollope and Tolstoy. She is an heiress who also wants to have adventures, falls in love with a bounder, and is persuaded by her family and friends to marry the solid if dull Plantagenet Palliser instead. He is delighted with her; she feels trapped.
Both Glencora and Alice Vavasor made me want to give them professions or a university education or a war zone to be brave in. Anything to use their energy and passion and intelligence to worry about something besides love and marriage. Alice's problem is that her true love is so good and loyal that she makes a fetish of insisting that she doesn't deserve him. I found myself wanting her to stand by her guns, but of course in the end he bulldozes her with his devotion, and she accepts him-- or maybe lets him tell her she has..
He also, to give Trollope his due, does what Alice hoped for and runs, or rather, "stands" for Parliament. There is a kind of happy ending, with the marriages in place and Lady Glencora finally producing an heir for her husband, who is himself the heir to a great duke.
So here's the thing with Trollope: he does very well in capturing the yearnings and struggles of young women (and one must remember that all the leading roles here, male and female, are 30 or younger), but he just can't seem to imagine, or doesn't want to imagine, a way for them to become anything but Victorian gentlewomen, wives and mothers. George Eliot's female characters are often thoroughly chastised by experience and the real world, but their aspirations are taken extremely seriously, and they at least attempt to act in the world in ways other than half-heartedly trying to run off with a lover.
So what do I like here? I like how hard Lady Glencora flails against her fate. I like the comic relief of Aunt Greenow and her suitors-- and her choice of a fancy man she carefully arranges NOT to have access to her money. I also like the satisfyingly melodramatic George Vavasor with the eloquent color-changing cicatrix on his face. And Burgo Fitzgerald who is about as useless and hopeless a human being you can find--but wildly handsome.
Excellent article by Matthew Neill Null about literature and West Virginia.
Suzanne McConnell's "Neighbors," first prize winner in the New Ohio Review contest, is now available online from The New Ohio Review and as a podcast as well! Suzanne (picture left) says about the process of posting the podcast: "Wrong audio sent in November, another unavailable for weeks, then that one sent without enough capacity. At last [an angelic friend], an expert sound guy who works in film, brought professional recording equipment, instructed me, and left it. That was January. I had a bad cold. [He] edited out a 7 second coughing fit. More technical difficulties ensued on the other end. But now it’s up! Lessons in persistence, trust, and patience."
Burt Kimmelman's article in Talisman on William Bronk, "Our Anxiety in Reading William Bronk"
PBS interview with Crystal Wilkinson (right) as well as a 2001 clip of her reading a powerful poem called "Dear Johnny P."
Some beautiful photographs on Mark Wyatt's page.
An amusing article about the romance novel self-publishing scene-- and the male models who want to be the Fabio of the digital age!
Here's a good blog post from Ed Davis on the writer's life--there's more to it than keeping your keister at the computer....
Ingrid Hughes's blog includes a report on a journey through serious mental illness.
John Birch, just retiring from a regular column in this newsletter, has been running a blog for the past few years, and it now contains several dozen of his fiction and nonfiction stories, many of which have been published here and there in the U.S. and Europe. See it at John BIrch Live at Blogspot.
Barbara Crooker's poems are updated often on her website.
Check out Cathy Weiss's website for writers and readers: http://www.armoredoxfords.com/
Marc Harshman has a new poetry podcast: Upcoming are Robert Morgan, Jeff Mann, and Maggie Anderson.
Matthew Null's new story collection Allegheny Front is out from Sarabande
A FEW EVENTS WITH ELLEN BASS:
SALON AT GABRIELLA'S CAFE with Tess Taylor and Ellen Bass June 7, 2016 Dinner at 6 PM Reading at 7:30 PM Sponsored by Catamaran Literary Reader Gabriella's Cafe, Santa Cruz, CA For more info, email Catherine Segurson .
PACIFIC UNIVERSITY MASTER OF FINE ARTS IN WRITING Residency dates: June 16-26, 2016 Residency location: Pacific University in Forest Grove, Oregon. If you are interested in learning more about the program, please contact the director, Shelley Washburn or Ellen Bass at with your questions.
POETRY READING & WORKSHOP with Ellen Bass August 19, 2016 Workshop 1:30 to 5:30 Poetry reading 7:30 California Poets in the Schools Annual Conference, Los Gatos, CA. Contact Tina Areja-Pasquinzo.
THE GLINT OF LIGHT ON BROKEN GLASS A Workshop in Writing Stories, Essays and Poems with Pam Houston and Ellen Bass August 21 - 27, 2016 The Inn at Lake Connamarra, Hope, B. C. Canada
Donna Meredith is the author of five books, including Fraccidental Death.
"I hereby release my Goodreads review under a Creative Commons 3.0 Attribution License." -- Joel Weinberger
A NOTE ABOUT AMAZON.COM
I have a lot of friends and colleagues who really despise Amazon. See the discussion in Issue # 184, as well as older comments from Jonathan Greene and others here.
The largest unionized bookstore in America has a webstore at Powells Books. Some people prefer shopping online there to shopping at Amazon.com. An alternative way to reach Powell's site and support the union is via http://www.powellsunion.com. Prices are the same but 10% of your purchase will go to support the union benefit fund.
WHERE TO FIND BOOKS MENTIONED IN THIS NEWSLETTER
If a book discussed in this newsletter has no source mentioned, don’t forget that you may be able to borrow it from your public library as either a hard copy or a digital copy. You may also buy or order from your local independent bookstore. (To find a bricks-and-mortar store, click the "shop indie" logo left).
To buy books online, I often use Bookfinder or Alibris. Bookfinder gives the price with shipping and handling, so you can compare what you’re really going to have to pay.
Another source for used and out-of-print books is All Book Stores. Also consider Paperback Book Swap, a postage-only way to trade books with other readers.
Still another place to buy books: Ingrid Hughes suggests "a great place for used books which sometimes turn out to be never-opened hard cover books is Biblio.. I've bought many books from them, often for $4 including shipping."
If you are using an electronic reader like Kindle, Nook, or Kobo, don't forget free books at the Gutenberg Project—mostly classics, and free, free, free!
Kobobooks.com sells e-books for independent brick-and-mortar bookstores.
RESPONSES TO THIS NEWSLETTER
Please send responses to this newsletter and suggestions directly to Meredith Sue Willis . Unless you instruct otherwise, your responses may be edited for length and published in this newsletter.
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Books for Readers Newsletter by Meredith Sue Willis is licensed under a Creative Commons Attribution-NoDerivs 3.0 Unported License. Permissions beyond the scope of this license may be available at http://www.meredithsuewillis.com. Some individual contributors may have other licenses.
Meredith Sue Willis, the producer of this occasional newsletter, is a writer and teacher and enthusiastic reader. Her books have been published by Charles Scribner's Sons, HarperCollins, Ohio University Press, Mercury House, West Virginia University Press, Monteymayor Press, Teachers & Writers Press, Hamilton Stone Editions, and others. She teaches at New York University's School of Professional Studies.
#184 More on Amazon; Laura Tillman; Anthony Trollope; Marily Yalom and the women of the French Revolution; Ernest Becker
#183 Hilton Obenzinger, Donna Meredith, Howard Sturgis, Tom Rob Smith, Daniel José Older, Elizabethe Vigée-Lebrun, Veronica Sicoe
#182 Troy E. Hill, Mitchell Jackson, Rita Sims Quillen, Marie Houzelle, Frederick Busch, more Dickens
#181 Valerie Nieman, Yorker Keith, Eliot Parker, Ken Champion, F.R. Leavis, Charles Dickens
#180 Saul Bellow, Edwina Pendarvis, Matthew Neill Null, Judith Moffett, Theodore Dreiser, & more
#179 Larissa Shmailo, Eric Frizius, Jane Austen, Go Set a Watchman and more
#178 Ken Champion, Cat Pleska, William Demby's Beetlecreek, Ron Rash, Elizabeth Gaskell, and more.
#177 Jane Hicks, Daniel Levine, Constance Fenimore Woolson, Ken Chamption, Patricia Harman
#176 Robert Gipe, Justin Torres, Marilynne Robinson, Velma Wallis, Larry McMurty, Charlotte Brontë, Henry James, Fumiko Enchi, Shelley Ettinger
#175 Lists of what to read for the new year; MOUNTAIN MOTHER GOOSE: CHILD LORE OF WEST VIRGINIA; Peggy Backman
#174 Christian Sahner, John Michael Cummings, Denton Loving, Madame Bovary
#173 Stephanie Wellen Levine, S.C. Gwynne, Ed Davis's Psalms of Israel Jones, Quanah Parker, J.G. Farrell, Lubavitcher girls
#172 Pat Conroy, Donna Tartt, Alice Boatwright, Fumiko Enchi, Robin Hobb, Rex Stout
#171 Robert Graves, Marie Manilla, Johnny Sundstrom, Kirk Judd
#170 John Van Kirk, Carter Seaton,Neil Gaiman, Francine Prose, The Murder of Helen Jewett, Thaddeus Rutkowski
#169 Pearl Buck's The Exile and Fighting Angel; Larissa Shmailo; Liz Lewinson; Twelve Years a Slave, and more
#168 Catherine the Great, Alice Munro, Edith Poor, Mitch Levenberg, Vonnegut, Mellville, and more!
#167 Belinda Anderson; Anne Shelby; Sean O'Leary, Dragon tetralogy; Don Delillo's Underworld
#166 Eddy Pendarvis on Pearl S. Buck; Theresa Basile; Miguel A. Ortiz; Lynda Schor; poems by Janet Lewis; Sarah Fielding
#165 Janet Lewis, Melville, Tosltoy, Irwin Shaw!
#164 Ed Davis on Julie Moore's poems; Edith Wharton; Elaine Drennon Little's A Southern Place; Elmore Leonard
#163 Pamela Erens, Michael Harris, Marlen Bodden, Joydeep Roy-Battacharya, Lisa J. Parker, and more
#162 Lincoln, Joseph Kennedy, Etel Adnan, Laura Treacy Bentley, Ron Rash, Sophie's Choice, and more
#161 More Wilkie Collins; Duff Brenna's Murdering the Mom; Nora Olsen's Swans & Klons; Lady Audley's Secret
#160 Carolina De Robertis, The Immortal Life of Henrietta Lacks, Ross King's The Judgment of Paris
#159 Tom Jones. William Luvaas, Marc Harshman, The Good Earth, Lara Santoro, American Psycho
#158 Chinua Achebe's Man of the People; The Red and the Black; McCarthy's C.; Farm City; Victor Depta;Myra Shapiro
#157 Alice Boatwright, Reamy Jansen, Herta Muller, Knut Hamsun, What Maisie Knew; Wanchee Wang, Dolly Withrow.
#156 The Glass Madonna; A Revelation
#155 Buzz Bissinger; reader suggestions; Satchmo at the Waldorf
#154 Hannah Brown, Brad Abruzzi, Thomas Merton
#153 J.Anthony Lukas, Talmage Stanley's The Poco Fields, Devil Anse
#152 Marc Harshman guest editor; John Burroughs; Carol Hoenig
#151 Deborah Clearman, Steve Schrader, Paul Harding, Ken Follet, Saramago-- and more!
#150 Mitch Levenberg, Johnny Sundstrom, and Isabel Wilkerson's The Warmth of Other Suns.
#149 David Weinberger's Too Big to Know; The Shining; The Tiger's Wife.
#148 The Moonstone, Djibouti, Mark Perry on the Grimké family
#147 Jane Lazarre's new novel; Johnny Sundstrom; Emotional Medicine Rx; Walter Dean Myers, etc.
#146 Henry Adams AGAIN! Also,Fun Home: a Tragicomic
#145 Henry Adams, Darnell Arnoult, Jaimy Gordon, Charlotte Brontë
#144 Carter Seaton, NancyKay Shapiro, Lady Murasaki Shikibu
#143 Little America; Guns,Germs, and Steel; The Trial
#142 Blog Fiction, Leah by Seymour Epstein, Wolf Hall, etc.
#141 Dreama Frisk on Hilary Spurling's Pearl Buck in China; Anita Desai; Cormac McCarthy
#140 Valerie Nieman's Blood Clay, Dolly Withrow
#139 My Kindle, The Prime Minister, Blood Meridian
#138 Special on Publicity by Carter Seaton
#137 Michael Harris's The Chieu Hoi Saloon; Game of Thrones; James Alexander Thom's Follow the River
#136 James Boyle's The Creative Commons; Paola Corso, Joanne Greenberg, Monique Raphel High, Amos Oz
#135 Reviews by Carole Rosenthal, Jeffrey Sokolow, and Wanchee Wang.
#134 Daniel Deronda, books with material on black and white relations in West Virginia
#133 Susan Carpenter, Irene Nemirovsky, Jonathan Safran Foer, Kanafani, Joe Sacco
#132 Karen Armstrong's A History of God; JCO's The Falls; The Eustace Diamonds again.
#131 The Help; J. McHenry Jones, Reamy Jansen, Jamie O'Neill, Michael Chabon.
#130 Lynda Schor, Ed Myers, Charles Bukowski, Terry Bisson, The Changing Face of Anti-Semitism
#129 Baltasar and Blimunda; Underground Railroad; Navasky's Naming Names, small press and indie books.
#128 Jeffrey Sokolow on Histories and memoirs of the Civil Rights Movement
#127 Olive Kitteridge; Urban fiction; Shelley Ettinger on Joyce Carol Oates
#126 Jack Hussey's Ghosts of Walden, The Leopard , Roger's Version, The Reluctanct Fundamentalist
#125 Lee Maynard's The Pale Light of Sunset; Books on John Brown suggested by Jeffrey Sokolow
#124 Cloudsplitter, Founding Brothers, Obenzinger on Bradley's Harlem Vs. Columbia University
#123 MSW's summer reading round-up; Olive Schreiner; more The Book Thief; more on the state of editing
#122 Left-wing cowboy poetry; Jewish partisans during WW2; responses to "Hire a Book Doctor?"
#121 Jane Lazarre's latest; Irving Howe's Leon Trotsky; Gringolandia; "Hire a Book Doctor?"
#120 Dreama Frisk on The Book Thief; Mark Rudd; Thulani Davis's summer reading list
#119 Two Histories of the Jews; small press books for Summer
#118 Kasuo Ichiguro, Jeanette Winterson, The Carter Family!
#117 Cat Pleska on Ann Pancake; Phyllis Moore on Jayne Anne Phillips; and Dolly Withrow on publicity
#116 Ann Pancake, American Psycho, Marc Harshman on George Mackay Brown
#115 Adam Bede, Nietzsche, Johnny Sundstrom
#114 Judith Moffett, high fantasy, Jared Diamond, Lily Tuck
#113 Espionage--nonfiction and fiction: Orson Scott Card and homophobia
#112 Marc Kaminsky, Nel Noddings, Orson Scott Card, Ed Myers
#111 James Michener, Mary Lee Settle, Ardian Gill, BIll Higginson, Jeremy Osner, Carol Brodtick
#110 Nahid Rachlin, Marion Cuba on self-publishing; Thulani Davis, The Road, memoirs
#109 Books about the late nineteen-sixties: Busy Dying; Flying Close to the Sun; Looking Good; Trespassers
#108 The Animal Within; The Ground Under My Feet; King of Swords
#107 The Absentee; Gorky Park; Little Scarlet; Howl; Health Proxy
#106 Castle Rackrent; Harry Potter and the Deathly Hallows; More on Drown; Blindness & more
#105 Everything is Miscellaneous, The Untouchable, Kettle Bottom by Diane Gilliam Fisher
#104 Responses to Shelley on Junot Diaz and more; More best books of 2007
#103 Guest Editor: Shelley Ettinger and her best books of 2007
#102 Saramago's BLINDNESS; more on NEVER LET ME GO; George Lies on Joe Gatski
#101 My Brilliant Career, The Scarlet Letter, John Banville, Never Let Me Go
#100 The Poisonwood Bible, Pamela Erens, More Harry P.
#99 Jonathan Greene on Amazon.com; Molly Gilman on Dogs of Babel
#98 Guest editor Pat Arnow; more on the Amazon.com debate
#97 Using Thomas Hardy; Why I Write; more
#96 Lucy Calkins, issue fiction for young adults
#95 Collapse, Harry Potter, Steve Geng
#94 Alice Robinson-Gilman, Maynard on Momaday
#93 Kristin Lavransdatter, House Made of Dawn, Leaving Atlanta
#92 Death of Ivan Ilych; Memoirs
#91 Richard Powers discussion
#90 William Zinsser, Memoir, Shakespeare
#89 William Styron, Ellen Willis, Dune, Germinal, and much more
#88 Sandra Cisneros's Caramelo
#87 Wings of the Dove, Forever After (9/11 Teachers)
#86 Leora Skolkin-Smith, American Pastoral, and more
#85 Wobblies, Winterson, West Virginia Encyclopedia
#84 Karen Armstrong, Geraldine Brooks, Peter Taylor
#83 3-Cornered World, Da Vinci Code
#82 The Eustace Diamonds, Strapless, Empire Falls
#81 Philip Roth's The Plot Against America , Paola Corso
#80 Joanne Greenberg, Ed Davis, more Murdoch; Special Discussion on Memoir--Frey and J.T. Leroy
#79 Adam Sexton, Iris Murdoch, Hemingway
#78 The Hills at Home; Tess of the D'Urbervilles; Jean Stafford
#77 On children's books--guest editor Carol Brodtrick
#76 Mary Lee Settle, Mary McCarthy
#75 The Makioka Sisters
#74 In Our Hearts We Were Giants
#73 Joyce Dyer
#72 Bill Robinson WWII story
#71 Eva Kollisch on G.W. Sebald
#70 On Reading
#69 Nella Larsen, Romola
#68 P.D. James
#67 The Medici
#66 Curious Incident,Temple Grandin
#65 Ingrid Hughes on Memoir
#64 Boyle, Worlds of Fiction
#63 The Namesame
#62 Honorary Consul; The Idiot
#61 Lauren's Line
#60 Prince of Providence
#59 The Mutual Friend, Red Water
#58 AkÉ, Season of Delight
#57 Screaming with Cannibals
#56 Benita Eisler's Byron
#55 Addie, Hottentot Venus, Ake
#54 Scott Oglesby, Jane Rule
#53 Nafisi,Chesnutt, LeGuin
#52 Keith Maillard, Lee Maynard
#51 Gregory Michie, Carter Seaton
#50 Atonement, Victoria Woodhull biography
#48 Richard Price, Phillip Pullman
#47 Mid- East Islamic World Reader
#46 Invitation to a Beheading
#45 The Princess of Cleves
#44 Shelley Ettinger: A Few Not-so-Great Books
#43 Woolf, The Terrorist Next Door
#42 John Sanford
#41 Isabelle Allende
#40 Ed Myers on John Williams
#38 Steven Bloom No New Jokes
#37 James Webb's Fields of Fire
#35 Conrad, Furbee, Silas House
#33 Pullman, Daughter of the Elm
#32 More Lesbian lit; Nostromo
#31 Lesbian fiction
#30 Carol Shields, Colson Whitehead
#29 More William Styron
#28 William Styron
#27 Daniel Gioseffi
#26 Phyllis Moore
#25 On Libraries....
#24 Tales of the City
#23 Nonfiction, poetry, and fiction
#22 More on Why This Newsletter
#21 Salinger, Sarah Waters, Next of Kin
#20 Jane Lazarre
#19 Artemisia Gentileschi
#18 Ozick, Coetzee, Joanna Torrey
#17 Arthur Kinoy
#16 Mrs. Gaskell and lots of other suggestions
#15 George Dennison, Pat Barker, George Eliot
#14 Small Presses
#13 Gap Creek, Crum
#12 Reading after 9-11
#11 Political Novels
#10 Summer Reading ideas
#9 Shelley Ettinger picks
#8 Harriette Arnow's Hunter's Horn
#7 About this newsletter
#6 Maria Edgeworth
#5 Tales of Good and Evil; Moon Tiger
#4 Homer Hickam and The Chosen
#3 J.T. LeRoy and Tale of Genji
#2 Chick Lit
#1 About this newsletter
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