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Fiction I
WRIT1-CE9320 Section 3 Fall 2011
New York University, School of Continuing and Professional Studies, Arts and Writing Programs
Instructor: Meredith Sue Willis MeredithSueWillis@gmail.com
October 5 - December 14, 2011
Bobst Library Room 837 6:30 PM - 8:50 PM
Updated 12-7-11
Good Luck in Your Writing!
It's time for your course evaluations: Please click here.
Deb Gaisford, who took this class last spring, just had a story called "Love Letters from Vietnam" published online at the online magazine, The Fear of Monkeys .
A Few Interesting Writers of Fiction
     
Anton Chekov Raymond Carver Kate Chopin Walter Mosley Grace Paley Eudora Welty
Schedule
of Topics and Assignments
This syllabus will be updated often. Please check here on the web at least once a week for updates. Fundamentals of fiction writing to be addressed in this class include: story, structure, setting, viewpoint, genre, dialogue, and character. Each participant is expected to support the efforts of all the class members. Required work for this class includes short writing assignments in and out of class, readings, responses to one another’s writing, and presentation of writing to the class.
Assignments done out-of-class must be turned in as hard copy (not as email attachments). They should be typed/word processed and double-spaced with at least 1 inch margins all around using a font comparable to Times New Roman 12 point.
Homework assignments should be no more than 2 pages long. (If you want a response for something longer, combine several weeks' allotment). Pieces presented to the class for critique during the second half of the class should be @ 5 pages long with copies handed out to the whole class a week before the presentation.
This course may be used for the certificate in Creative Writing. Click here for information. Click here for specific information on the grading for this class.
1. 10-5-11 Introduction. Bring in (or be ready to describe) a piece of fiction you admire: a classic short story, a novel, a parable. Why fiction? Where do our ideas come from?
Genres of fiction (flash fiction, parable, short story, autobiographical fiction, long story, novella, novel); special issues in fiction (voice, tense, point of view); the writer's life; and common terms for fiction writers ("show & tell;" structure and plot; point of view; scene and summary; outlining; process and product). Experiments with fiction versus memoir. "A Man Told Me The Story of His Life" by Grace Paley (photo left).
2.10-12 Real Life and Fiction.
Reading Assignment due: Read "Reunion," by John Cheever, handed out in class, and take a look also at some of the stories linked below for a tiny hint of what's going on in new fiction online.
Writing assignment due: Write a piece that starts with something autobiographical and fictionalize.
In-class Discussion: What kinds of critiquing actually help us write.
For fun: Elmore Leonard's Ten Rules of Writing.
(Images: Elmore Leonard above left; John Cheever above right)
3. 10-19 Conflict as the Heart of Fiction.
Reading Assignment due: Read two short stories, one old: "Desiree's Baby" by Kate Chopin and one more contemporary, "Happy Endings" by Margaret Atwood.
Writing assignment due: A story about a marriage or other relationship with a conflict, perhaps affected by a secret, but not necessarily.
In-class Discussion: Conflict and climax. " The Use of Force" by poet William Carlos Williams. This is a brief story, probably autobiographical, with a very open conflict and some good description of action.
4. 10-26 Creating Character Concretely.
Reading Assignment due: Read short descriptions of Alice, Mr. Slope , and Dave Rivers. Notice that there is physical action in that last one.
(Photo of Alan Rickman as Mr. Slope left).
Writing assignment due: a description of a character in which you use sense words that include sound, smell and touch (perhaps the texture of hair?). Also include some characteristic physical action for the person.
In-class discussion: Character Out and In.

5.11-2 A Place to Begin Fiction.
Reading Assignment due: Read the online samples of place description here.:
Writing Assignment Due: Describe a place, pleasant or unpleasant, using all the senses if possible. As you describe, think about what might happen in this place,and use it as the opening-- the setting-- for a scene or story.
Writing Assignment Due: Write a scene or short short story in which two people are talking at cross purposes.
In-class: Discussion on Making a Place for Writing in Your Life

7. 11-16 Point of View and Voice: How we Tell our Story.
Reading Assignments Due: ”Why I Live at the P.O." by Eudora Welty and Girl by Jamaica Kincaid
Writing assignment due: A piece that experiments with voice and creates a a character unlike the writer, in, perhaps, age, religion, ethnic group-- whatever. If you find this hard, write some of the "Characteristics" for this person.
Student Presentations. (See below for dates)
Just for fun: The Onion's "column" called "Ask Raymond Carver."
No class November 23
8. 11-30 Plot-Driven Fiction
Reading assignment due:"The
Necklace," an old-fashioned plotted story by Guy de Maupassant and "The Monkey's Paw" an old horror story by W.W. Jacobs.
Writing assignment due: A very short story (or chapter or anecdote) with a surprise at the end.
In-class: Short Marketing Discussion.
Presentations of Student Work for Critique. (See below for dates)
9. 12-7 Character Driven Fiction. Read an excerpt sample from an MSW story Tara White. (For the full story, click here.)
Writing assignment due:Take any piece you've done for homework this term, and revise or expand it.
Presentations of Student Work for Critique. (See below for dates)
NO ASSIGNMENTS ACCEPTED AFTER 12-7-11
NOTE: NYU HAS INFORMED US WE CANNOT HAVE CLASS ON DECEMBER 14. I APOLOGIZE FOR THIS CURTAILMENT OF THE CLASS. WE HAVE VOTED, HOWEVER, TO MAKE UP THE TIME THROUGH ONE-ON-ONE CONFERENCES THROUGH DURING THE PREVIOUS WEEKS BETWEEN STUDENTS AND THE TEACHER.
10.12-14.Important Techniques. Slowing and speeding up time, Long-Shot & Close-Up, present vs past tense, and more.
Presentations of Student Work for Critique-- and Farewells!
This course may be used toward the departmental certificate in Creative Writing. In order to earn the credit, your work must be evaluated by the professor. To receive credit for the course, you must turn in at least six of the eight writing assignments. You may choose a pass/fail option, or you may take the course for no grade (NE).
You may also request a letter grade. No grade will be given below a B. To earn a B, you must complete at least six of the eight writing assignments to the professor's satisfaction plus present work for critiquing by the class at least once. To earn an A, you must complete all homework assignments, present work for critiquing by the class at least once, and show evidence of having done the outside reading.
Supplementary Materials and Resources:
Presentation List For Critique by the Class
Bring copies for everyone the WEEK BEFORE
11-2 Alisha Chaudhary
11-9 Deborah Gersony
11-16 Patrick Curry
Alessandra Alma
11-30 Alyssa Roberts
Kate Hayes
Deborah Gersony
12-7 Katie Colpitts
Alyssa Roberts
Alessandra Alma
Patrick Curry
Conference Schedule
11-9
6:00
6:15 Deborah Gersony
11-16
6:00
6:15 Alyssa Roberts
11-30
5:45 Alessandra Alma
6:00 Katie Colpitts
6:15 Patrick Curry
12-7
6:00 Alisha Chaudhary
6:15 Kate Hayes
Featured Book
Special Price on Meredith Sue Willis's new book of stories from myths and other stories: Re-Visions. Regular Price $14.95 plus S&H now $13.00 plus S&H.

Click on the Book or here.
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